For the past month or so I've had a fine time revisiting the publishing milestones in my life, and so far I'm only up to about 1990 with 22 years and as many books to go. Between blog entries and daily tweets and Facebook posts (and messing around in the kitchen), most of my working day has been taken up with revisions of VICTORIA REBELS. It's ready to go back to the editor, and I'm pretty sure there will be another round--there always is. There are undoubtedly writers who do things perfectly the first time, but I'm definitely not one of them. Kirsten Hamilton, a writer friend of mine, says she wants a BRILLIANT editor, one who will hold her feet to the fire, and I wholeheartedly agree. So far I've been very lucky to get that kind of editing.
My first draft (which I thought was pretty darn good when I sent it months ago) was heavy on detail of Victoria's life, but it needed focusing. That meant heavy cutting in the first half and expanding in the second half, sharpening the personalities of the characters, and figuring out what to do with a lot of historical background that--to me, at least--makes the story so much richer. We writers of historical fiction are often accused of "info-dumping," and I'm guilty as charged. Young readers often don't have the general background to get what's going on without some help. The trick is to smuggle in the necessary information without getting caught. Sometimes I'm better at it than other times. (Hint: Dialogue is usually not a good place for it.)
So off she goes tomorrow, my DEAR, DEAR Victoria, as she would say. I have my fingers crossed that it's going in the right direction. Wish me luck, dear readers.
My first draft (which I thought was pretty darn good when I sent it months ago) was heavy on detail of Victoria's life, but it needed focusing. That meant heavy cutting in the first half and expanding in the second half, sharpening the personalities of the characters, and figuring out what to do with a lot of historical background that--to me, at least--makes the story so much richer. We writers of historical fiction are often accused of "info-dumping," and I'm guilty as charged. Young readers often don't have the general background to get what's going on without some help. The trick is to smuggle in the necessary information without getting caught. Sometimes I'm better at it than other times. (Hint: Dialogue is usually not a good place for it.)
So off she goes tomorrow, my DEAR, DEAR Victoria, as she would say. I have my fingers crossed that it's going in the right direction. Wish me luck, dear readers.