The experiment begins. The first book of the Hotline series went live in the wee hours of the morning. And it's time now to introduce my publisher who has made this all happen.
My history with Vered Mares, owner of VP&D House, Inc., a small publisher in Anchorage, Alaska, goes way back. When I first began working on "Because of Lissa," Vered was a young teenager; she was also my stepdaughter--very bright, very funny, and (sorry, Vered) very bratty. During the course of writing those four books and getting them ready for publication, Vered went off to Israel; when she came back at the beginning of the Gulf war, we had moved to Denton, Texas, and she came to live with us. (She is the basis for a novel I wrote in Denton, DRUMMERS OF JERICHO.)
We both survived Vered's teenage years. Her interest in the arts led her to becomes a graphics artist, to move to Alaska, and to establish VP&D House. When I asked for advice in how to go about publishing the Hotline series as e-books, we decided to work together. The cover design is hers.
Have I mentioned that we're also very good friends?
My history with Vered Mares, owner of VP&D House, Inc., a small publisher in Anchorage, Alaska, goes way back. When I first began working on "Because of Lissa," Vered was a young teenager; she was also my stepdaughter--very bright, very funny, and (sorry, Vered) very bratty. During the course of writing those four books and getting them ready for publication, Vered went off to Israel; when she came back at the beginning of the Gulf war, we had moved to Denton, Texas, and she came to live with us. (She is the basis for a novel I wrote in Denton, DRUMMERS OF JERICHO.)
We both survived Vered's teenage years. Her interest in the arts led her to becomes a graphics artist, to move to Alaska, and to establish VP&D House. When I asked for advice in how to go about publishing the Hotline series as e-books, we decided to work together. The cover design is hers.
Have I mentioned that we're also very good friends?